Trio g-Moll op. 63 WeV P.14

'These movements are distinguished by a high, bold leap of imagination…', judged a reviewer of the first edition of the Trio. But it is likely that Weber never performed his Trio in public – perhaps an indication for hidden extra-musical 'contents' which Weber was afraid of revealing? One probably cannot completely rule out the possibility that the conflict-ridden courting of the favour of his later wife left its marks in Weber's last chamber music composition…