Contenu
- Introduction
- Preface
- Performance Practice
- Einleitung
- Vorwort
- Zur Aufführungspraxis
- Sonate für Klavier c-Moll op. 111
- Critical Commentary:
- Facsimiles
- Signs and conventions
- Sources
- Appendices
- Bibliography
Bärenreiter Urtext
In late 1821 Beethoven began work on his final piano sonata op. 111 which has been considered a towering masterwork ever since its publication. Thomas Mann gave it a literary monument in his novel “Doctor Faustus” in whose musical-theoretical digressions the main motif of the “Arietta” is set to the syllables “Wiesengrund”, the middle name of Theodor W. Adorno.
Jonathan Del Mar has re-examined the convoluted source material, including the proof sheets and errata lists that accompanied its publication. Supplementing the meticulously edited text is a detailed Critical Commentary, an informative Introduction and valuable notes on performance practice.
Edited from the sources
Wiener Urtext Edition
pour: Piano
Partition (texte original)
№ d’article: 664002
Wiener Urtext Edition
pour: Piano
Partition
№ d’article: 608998
Bärenreiter Urtext
pour: Clavecin [piano]
Partition (texte original)
№ d’article: 296545
for the Piano
An Alfred Masterwork Edition
pour: Piano
Méthode (avec partition)
№ d’article: 261881
op. 11
pour: Piano, orchestre
Réduction piano
№ d’article: 401397
Version à deux mains. Edité d'après les sources
Wiener Urtext Edition
pour: Piano
Partition
№ d’article: 154069