Contenu
- IMPROVING YOUR PLAYING
- The Fingering Hand 1: Improving Intonation
- The Fingering Hand 2: The Reverse Cut
- The Fingering Hand 3: Minimising Movement
- The Fingering Hand 4: Slides
- The Bowing Hand 1: String Crossing
- The Bowing Hand 2: Dynamics
- The Bowing Hand 3: Playing on More than One String
- Learning Tunes from Written Music or Why Doesn?t the Tune in My Collection Sound Right?
- Case Study 1: The Rose in the Heather
- Case Study 2: The Killaloe Boat
- Case Study 3: Saint Anne?s Reel
- Improvisation
- Fiddle or Violin? - Classical Converts
- Playing with Other Musicians - Sessions and Get-Togethers
- Putting Sets of Tunes Together - Scales and Modes
- Improvising in Songs
- Star of the County Down
- Transposing
- Explanation of Symbols Used
- Jigs
- Cock o? the North
- Father O?Flynn
- The Rambling Pitchfork
- The Rose in the Heather
- The Orphan
- Up Sligo
- The Mooncoin Jig
- Hornpipes
- Chief O?Neill?s Favourite
- The Rights of Man
- The Ghost
- Polkas
- The Glen Cottage Polka
- Oh Those Britches Full of Stitches
- The Road to Lisdoonvarna (slide)
- The Foxhunter?s Jig (slip jig)
- Rodney?s Glory (set dance)
- Reels
- Man of the House
- The Monaghan Twig
- P J Hayes?
- Toss the Feathers in D
- The Flogging Reel
- Jennie?s Chickens
- O? Dowd?s Favourite
- The Bank of Ireland
- The Chicago Reel in B-flat
- The Drunken Landlady
- The Congress Reel
- The High Reel
- Paddy Ryan?s Dream
- Sergeant Early?s Dream
- The Silver Spire
- Tamlin
- The Woman of the House
- The Cup of Tea
- Over the Moor to Maggie
- Appendix A: Set-up of the Instrument
- Appendix B: Common Scales in Irish Music