The Hollywood Film Music Reader

M. Cooke: The Hollywood Film Music Reader (Bu) (0)
ÉditionLivre (édition brochée)
№ d’article769651
ÉditeurMervyn Cooke
Langueanglais
Dimensions 392 pages; 15,6 × 23,5 cm
Date de parution2010
Éditions / ProducteurOxford University Press
№ de fabricantOUP 9780195331196
ISBN9780195331196

Description

A rich and informative look at the experiences of composers working under high pressure in the US film industry, The Hollywood Film Music Reader brings readers from film's earliest days to the modern blockbuster era. Beginning with the origins of movie music in the heyday of silent film, the book traces film music's progress through Hollywood's so-called Golden Age to changes in musical styles and working practices from the 1960s to the present.

Also included are vivid first-hand accounts from composers such as George Antheil, Elmer Bernstein, Aaron Copland, Adolph Deutsch, Jerry Goldsmith, Bernard Herrmann, Henry Mancini, Thomas Newman, André Previn, David Raksin, Miklós Rózsa, Max Steiner, Dimitri Tiomkin, Franz Waxman, and John Williams, along with testimonies from composers working in animation and documentary film. The book concludes with a section of criticism and commentary, including an essay on film music by Sidney Lumet and Igor Stravinsky's provocative views on the subject.

Contenu

  • Illustrations
  • Acknowledgements
  • Introduction
  • From 'Silents' to Sound
  • 1: Max Winkler: 'The Origins of Film Music'
  • 2:T Scott Buhrman: 'Photoplays De Luxe'
  • 3: Ernö Rapée: 'Musical Accompaniment to the Feature Picture'
  • 4: An Interview with Gaylord Carter, 'Dean of Theater Organists'
  • 5: Leonid Sabaneev: 'The Composition of Music for the Cinema'
  • II Film Composers in Their Own Words
  • 6:Max Steiner: 'Scoring the Film'
  • 7: David Raksin: 'Life With Charlie'
  • 8: Aaron Copland: 'Our New Music'
  • 9: Ingolf Dahl: 'Notes on Cartoon Music'
  • 10: Scott Bradley: 'Personality on the Soundtrack'
  • 11: Conversations with Carl Stalling
  • 12: Dimitri Tiomkin: 'Please Don't Hate Me!'
  • 13: A Radio Interview with Franz Waxman
  • 14:Gail Kubik: 'Music in Documentary Films'
  • 15:Adolph Deutsch on Three Strangers
  • 16: Miklós Rózsa on Quo Vadis
  • 17: André Previn: 'No Minor Chords'
  • 18:Henry Mancini: 'Did They Mention the Music?'
  • 19: Bernard Herrmann: A Lecture on Film Music
  • 20: A Conversation with Jerry Goldsmith
  • 21: John Williams and Star Wars
  • 22: Thomas Newman on his Film Music
  • III Critics and Commentators
  • 23: George Antheil: 'I Am Not a Businessman'
  • 24:Igor Stravinsky on Film Music
  • 25: David Raksin: 'Hollywood Strikes Back'
  • 26: Theodor Adorno and Hanns Eisler: 'Composing for the Films'
  • 27: Frederick W Sternfeld on Hugo Friedhofer's The Best Years of Our Lives
  • 28: Aaron Copland in the Film Studio
  • 29: Lawrence Morton: 'Composing, Orchestrating, and Criticizing'
  • 30: Elmer Bernstein: 'Film Composers vs The Studios'
  • 31: Sidney Lumet: A Director's Viewpoint
  • Credits
  • Index
66,10  €
Délai de livraison : 2–4 semaines
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Livre (édition brochée)

№ d’article: 479543

34,00  €TVA comprise, plus frais d'expédition
Délai de livraison : 1–2 semaines (fr)
Vu récemment
Verband deutscher MusikschulenBundesverband der Freien MusikschulenJeunesses Musicales DeutschlandFrankfurter Tonkünstler-BundBundes­verb­and deutscher Lieb­haber-OrchesterStützpunkt­händ­ler der Wiener Urtext Edition

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