Benjamin Britten (1913 – 1976)

Britten on Music

P. Kildea: Britten on Music (Bu) (0)
Édition:
Livre (édition brochée)
№ d’article:
608846
Auteur / Compositeur:
Éditeur:
Langue:
anglais
Dimensions :
466 pages; 15,6 × 23,4 cm
Date de parution:
2008
Éditions / Producteur:
№ de fabricant:
OUP 9780199550975
ISBN:
9780199550975

Description

Benjamin Britten was a most reluctant public speaker. Yet his contributions were without doubt a major factor in the transformation during his lifetime of the structure of the art-music industry. This book, by bringing together all his published articles, unpublished speeches, drafts, and transcriptions of numerous radio interviews, explores the paradox of a reluctant yet influential cultural commentator, artist, and humanist. Whether talking about his own music, about the role of the artist in society, about music criticism, or wading into a debate on soviet ideology at the height of the cold war, Britten always gave a performance which reinforced the notion of a private man who nonetheless saw the importance of public disclosure.

Contenu

  • List of Plates
  • List of Abbreviations
  • Introduction
  • I. 1936-45 'Oh but the unloved have had power'
  • 1:Soviet Opera at B.B.C. Shostakowitch's 'Lady Macbeth' (1936)
  • 2:Wireless Concerts lose Edward Clarke (1936)
  • 3:BBC Programming: Holst, Vaughan Williams and Poulenc (1936)
  • 4:'As You Like It' Walton's Music (1936)
  • 5:American Impressions (?1940)
  • 6:An English Composer Sees America (1940)
  • 7:On Film Music (c. 1940-1)
  • 8:England and the Folk-Art Problem
  • 9:Au Revoir to the U.S.A. (1942)
  • 10:On Behalf of Gustav Mahler (1942)
  • 11:Statement to the Local Tribunal for the Registration of Conscientious Objectors (1942)
  • 12:Appeal to the Appellate Tribunal (1942)
  • 13:How a musical work originates (1942)
  • 14:Conversation with Benjamin Britten (1944)
  • 15:Speech to the International Arts Guild (c.1944)
  • 16:Vienna (1945)
  • 17:Peter Grimes (1945)
  • 18:250th Anniversary of the death of Henry Purcell (1945)
  • II. 1946-55 'This region of sin that you find you in, But are not of'
  • 19:Sinfonia da Requiem (1946)
  • 20:The Rape of Lucretia (1946)
  • 21:The Artist and His Medium: Composer and Listener (1946)
  • 22:An Opera is Planned (1947)
  • 23:Frank Bridge and English Chamber Music (1947)
  • 24:The Rape of Lucretia (1948)
  • 25:Piano works by Frederic Chopin and Gabrial Faure (1949)
  • 26:A New Centre for Music (1949)
  • 27:UNESCO (1949)
  • 28:Boyd Neel: The Story of an Orchestra (1950)
  • 29:The Arts Council and Opera (1950)
  • 30:Verdi - A Symposium (1951)
  • 31:The Rape of Lucretia (?1951)
  • 32:Dido and Aeneas (1951)
  • 33:Freeman of Lowestoft (1951)
  • 34:The Rise of English Opera (1951)
  • 35:Arnold Schoenberg (1951)
  • 36:Variations on a Critical Theme (1952)
  • 37:Opera Diary: The Marriage of Figaro (1952)
  • 38:Three Premieres (1954)
  • 39:Serenade for tenor, horn and strings (1954)
  • 40:The Physician's Folly (1955)
  • 41:The Aldeburgh Festival (1955)
  • III. 1956-65 'All a poet can do today is warn'
  • 42:Britten's Method of Composing (1956)
  • 43:British Culture Abroad (1956)
  • 44:Britten and South East Asia (1956)
  • 45:The Composer Speaks (1957)
  • 46:To the Music Lovers of Japan (1957)
  • 47:Dennis Brain 1921-1957 (1958)
  • 48:Television and The Turn of the Screw (1959)
  • 49:Paul Beck 1895-1958 (1959)
  • 50:On Purcell's Dido and Aeneas (1959)
  • 51:On Realizing the Continuo in Purcell's Songs (1959)
  • 52:Back to Britain with Britten (1959)
  • 53:People Today: Benjamin Britten (1960)
  • 54:A New Britten Opera (1960)
  • 55:A Midsummer Night's Dream (1960)
  • 56:Brighton Philarmonic Society (1960)
  • 57:Discussion with Billy Budd (1960)
  • 58:On Writing English Opera (1960)
  • 59:Britten and Pears in Canada (1961)
  • 60:Speech on Receiving Honorary Degree at Hull University (1962)
  • 61:Freedom of Borough of Aldeburgh (1962)
  • 62:Erwin Stein: Form and Performance (1962)
  • 63:A Tribute to Wilfrid Owen (?1963)
  • 64:Imogen Holst: An ABC of Music (1963)
  • 65:British Composers in Interview: Benjamin Britten (1963)
  • 66:The Artist - to the People (1963)
  • 67:On Pravda, Art and Criticism (1963)
  • 68:Address to Kesgrave Heath School, Ipswich (1963)
  • 69:An Interview (1963)
  • 70:Britten Looking Back (1963)
  • 71:Francis Poulenc 1899-1963 (1964)
  • 72:On Receiving the First Aspen Award (1964)
  • 73:Musician of the Year (1964)
  • 74:British Music in the World Today (1964)
  • 75:Tribute to Michael Tippett (1965)
  • 76:Tribute to Zoltan Kodaly (1965)
  • 77:Tribute to Jean Sibelius (1965)
  • 78:Sibelius (II) (1965)
  • 79:Dreams (?1965)
  • 80:A Composer in Russia (1965)
  • IV. 1966-76 'My mind beats on'
  • 81:Sir Arthur Bliss at 75 (1966)
  • 82:Benjamin Britten talks to Edmund Tracey (1966)
  • 83:Tribute to Dmitri Shostakovitch (1966)
  • 84:Tribute to Zoltan Kodaly (1967)
  • 85:An interview with Benjamin Britten (1967)
  • 86:Britten and Pears (1967)
  • 87:The Moral Responsibility of the Artist Toward his Fellow Man (1968)
  • 88:Britten on Aldeburgh and the Future (1968)
  • 89:On Receiving the Sonning Prize (1968)
  • 90:Some Notes on Forster and Music (1969)
  • 91:Mapreading (1969)
  • 92:No Ivory Tower (1969)
  • 93:Snape Maltings Fire (1969)
  • 94:Idomeneo in Performance (1969)
  • 95:Radcliffe Music Award (1969)
  • 96:Money for the Maltings (1970)
  • 97:Aaron Copland: Seventieth-Birthday Tribute (1970)
  • 98:James Blades: Percussion Instruments and their History (1970)
  • 99:Artist's Choice: Cecil Aronowitz (1970)
  • 100:Therapy in Music For Handicapped Children (1971)
  • 101:Anthony Gishford: Grand Opera (1972)
  • 102:John Bird: Percy Grainger (1976)
  • 103:Tribute to Paul Sacher (1976)
  • V. Introductory Notes to Britten's Music
  • VI. Introductory Notes to the Music of Other Composers
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