Déchiffrage pour le cor

• To the pupil: why sight-reading?

Section 1:

• Notes C and D
• Solos
• Duets
• Accompanied pieces

Section 2:

• Notes C-G, 4/4 und 2/4 time, introducting slurs
• Solos
• Duets
• Accompanied pieces

Section 3:

• Notes E and F, new keys G major, C und E minors. Introducing 3/4 time and the dotted rhythm
• Solos
• Duets
• Accompanied pieces

Section 4:

• Range A-A, new keys E and D minor, D major, introducting, 3-time, quavers and dotted rhythms
• Solos
• Duets
• Accompanied pieces

Section 5:

• Range A-C. New Notes C and D. Keys of A minor, A major, F major and B major
• Solos
• Duets
• Accompanied pieces

Section 6:

• New Keys: E and A major. New time signatures of 3/8, 6/8 and 9/8
• Solos
• Duets
• Accompanied pieces

Section 7:

• All keys up to 4's and 4's. Triplets in simple time. 5/4, 5/8, 7/4 and 3/2
• Solos
• Duets
• Accompanied pieces

Section 8:

• Transposing down a tone as for Horn in E. Semiquavers and some chromatic movement
• Solos
• Duets
• Accompanied pieces

Section 9:

• Further transposition. Syncopation
• Solos
• Duets
• Accompanied pieces

Section 10:

• Transpositons of a minor 3rd and perfect 5th. Chromatic and modal tonalities
• Solos
• Duets Accompanied pieces

Section 11:

• Baroque to Atonal. Double sharps abd double flats
• Solos
• Duets
• Accompanied pieces
• Glossary