Contenu
- Introduction
- First Part: Basics of the Symphony
- I Mahler’s place in history
- a) Eclectic or original genius?
- b) Bruckner-Successor or Bruckner-Antipode?
- II Beethoven and the new categories of symphonic music
- III The history of the reception of Beethoven’s music
- IV Mahler’s conception of the symphonic cantata
- V Borrowings from the Lieder repertoire
- Part Two: The Universality of the Symphony
- Third Parts: Elements of the Symphonies