Contenu
- Introduction Thomas Christensen
- Part I. Disciplining Music Theory:
- 1. Mapping the terrain Leslie Blasius
- 2. Musica practica: music theory as pedagogy Robert W. Wason
- 3. Epistemologies of music theory Nicholas Cook
- Part II. Speculative Traditions:
- 4. Greek music theory Thomas J. Mathiesen
- 5. The transmission of ancient music theory into the Middle Ages Calvin Bower
- 6. Medieval canonics Jan Herlinger
- 7. Tuning and temperament Rudolf Rasch
- 8. The role of harmonics in the scientific revolution Penelope Gouk
- 9. From acoustics to tonpsychologie Burdette Green and David Butler
- 10. Music theory and mathematics Catherine Nolan
- Part III. Regulative Traditions:
- 11. Notes, scales, and modes in Carolingian thought David Cohen
- 12. Renaissance modal theory: theoretical, compositional and editorial perspectives Cristle Collins Judd
- 13. Tonal organization in seventeenth-century music theory Gregory Barnett
- 14. Dualist tonal space and transformation in the nineteenth century Henry Klumpenhouwer
- 15. Organum, diaphonia, discantus, contrapunctus in the Middle Ages Sarah Fuller
- 16. Counterpoint pedagogy in the Renaissance Peter Schubert
- 17. Performance theory Albert Cohen
- 18. Steps to Parnassus: contrapuntal theory in 1725: precursors and successors Ian Bent
- 19. Twelve-tone theory John Covach
- 20. The evolution of rhythmic notation Anna Maria Busse Berger
- 21. Theories of musical rhythm in the eighteenth and nineteenth centuries William Caplin
- 22. Rhythm in twentieth-century theory Justin London
- 23. Tonality Brian Hyer
- 24. Rameau and eighteenth-century harmonic theory Joel Lester
- 25. Nineteenth-century harmonic theory: the Austro-German legacy David W. Bernstein
- 26. Heinrich Schenker William Drabkin
- Part IV. Descriptive Traditions:
- 27. Music and rhetoric Patrick McCreless
- 28. Form Scott Burnham
- 29. Thematic and motivic analysis Jonathan Dunsby
- 30. Energetics Lee Rothfarb
- 31. The psychology of music Robert Gjerdingen